To put it mildly, the Batman universe has been going through a ton of changes lately. I would recap again, but I'm sure everyone is getting sick of that. Now, its been announced that Bruce Wayne is returning to the normal DCU, and (99.9% sure about this) to the role of Batman. I am very, very pleased with this, except for one thing.
We all know that Bruce Wayne is a control freak. And Dick has gone, and, through this past year, rearranged pretty much everything having to do with the Cowl. Once Bruce returns, what's going to happen to everything that's changed this last year?
There are three possibilities (varying in probability, however) that I see:
1. Bruce returns....and swiftly dismantles everything Dick has done. The Batcave will be quickly returned to its proper place and all of the new mannerisms "Batman" has acquired will be dispensed with. The only changes that (possibly) stick are Stephanie Brown as Batgirl and Damien as Robin (again, possibly).
2. Bruce returns, resumes activites as Batman, and decides to continue acting like Dick so the public does not see yet another shift in Batman. Slowly, he reintroduces his version of Batman.
3. Bruce returns.....and that's it. He (for some unknown reason that I'm sure Grant Morrison will be able to explain) chooses not to return to the role of Batman. Maybe he assumes some sort of Oracle-ish role (although it looks like that's where Wendy's headed, so I don't know why he would), or maybe he just gets an actual life for the first time in twenty-plus years. Either way, Dick remains as Batman and the new Batman stas quo remains in effect.
Frankly, I'm hoping for the first one. I have never been Dick Grayson's biggest fan, although that's a story for another post. I really hope no one at DC pulls something screwy and suddenly Bruce decides to not be Batman.
Wednesday, December 30, 2009
Monday, December 14, 2009
The Return of Bruce Wayne
Well, its finally happened. A new miniseries, called Batman: The Return of Bruce Wayne will chronicle Bruce Wayne's journey through time and space in order to get home. There's two drawings, one of which is a caveman Batman and the other is a pirate Batman (who looks remarkably like Davy Jones from Pirates of the Caribbean).
And the best part? The wonderful genius Grant Morrison is writing it! Yeah!
Yup, the guy who completely screwed up the universe is now going to put it back together. Why should we even let this guy near a book having anything to do with space and odd physics? Wasn't Final Crisis enough?
Also, a caveman Batman? Dear God.
Apparently this isn't going to be a short book, either. There are six issues, with the first being 38 pages and the rest being 30. Grant also says he's trying to do some "big ideas" in this book. Wonderful.
Don't get me wrong, I respect the guy. All-Star Superman was very good and won some awards. Batman and Robin has been enjoyable. But whenever he seems to get within a football field of something "groundbreaking" "new" or "experimental" all of that flies out the window, and we're left with some sort of crazy stuff that destroys the universe.
I'm still going to pick this book up, of course. I just don't have high hopes.
You can read USA Today's interview with Morrison here.
The two images are from the article.
Sunday, December 13, 2009
Terry McGinnis
DC will soon be doing a miniseries for the "Batman Beyond" Batman, aka Terry McGinnis. For anyone who hasn't heard of this, it was an animated seres about the future. You can see it here. Personally, I really didn't like it, and therefore am not looking forward to the miniseries, but I did realize something weird.
This is Batwoman:
This is Terry McGinnis:
Is it just me, or are these costumes creepily similar? It could just be an artist fluke, not anticipating someone from the DCAU to cross over to the regular universe, but it just seems odd to me. After all, no other Batman heroes expect for Robin (who we can agree has a pretty distinct costume) has red in the costume. Well, I guess there's Red Robin, but again, it isn't similar to these at all, and has yellow.
Me, I think there's going to be some significance. Why bring Terry McGinnis back now, anyway?
This is Batwoman:
This is Terry McGinnis:
Is it just me, or are these costumes creepily similar? It could just be an artist fluke, not anticipating someone from the DCAU to cross over to the regular universe, but it just seems odd to me. After all, no other Batman heroes expect for Robin (who we can agree has a pretty distinct costume) has red in the costume. Well, I guess there's Red Robin, but again, it isn't similar to these at all, and has yellow.Me, I think there's going to be some significance. Why bring Terry McGinnis back now, anyway?
Friday, December 11, 2009
Aha!
Something I forgot to mention: Tony Daniels came back to the batbooks on the last issue of Batman. Oh, and guess who came with him. Fright, whose return I have been calling for for months.
Thursday, December 10, 2009
Monday, December 7, 2009
JSA: The Liberty Files (yes its Batman)
JSA: The Liberty Files (Graphic Novel)
By Dan Jolley
Art by Tony Harris
Rating: 9/10 (best so far)
This is an Elseworlds tale, where all the superheroes come together during WWII instead of modern time. The main character is Batman (called The Bat, a secret agent for the allied forces). He and two other heroes (The Clock, or Hourman, and The Owl, or Dr. Midnite) infiltrate Hitler's forces to take down the new super-Nazi--a brainwashed Martian Manhunter. On the way they encounter versions of the Joker, Scarecrow, and others.
Later (1948) Batman has gone back to protecting Gotham City, but he is called in to investigate agents being killed in Berlin and a Soviet nuclear device. He and the Clock reunite and also work with Superman (but not who you think). These mysteries lead to a fabulous twist ending.
Personally, I loved this. I'm not really an Elseworlds fan, but this was fantastically written with a great plot and lots of mystery. And Batman saves the world. Twice. what could be better?
The art wasn't as fabulous as the story, but it was decent. There were too many lines on all the faces, and Bruce Wayne didn't really look like I thought he should. He and Clark Kent looked very, very similar. It wasn't bad, per say, just not really my cup if tea.
By Dan Jolley
Art by Tony Harris
Rating: 9/10 (best so far)
This is an Elseworlds tale, where all the superheroes come together during WWII instead of modern time. The main character is Batman (called The Bat, a secret agent for the allied forces). He and two other heroes (The Clock, or Hourman, and The Owl, or Dr. Midnite) infiltrate Hitler's forces to take down the new super-Nazi--a brainwashed Martian Manhunter. On the way they encounter versions of the Joker, Scarecrow, and others.
Later (1948) Batman has gone back to protecting Gotham City, but he is called in to investigate agents being killed in Berlin and a Soviet nuclear device. He and the Clock reunite and also work with Superman (but not who you think). These mysteries lead to a fabulous twist ending.
Personally, I loved this. I'm not really an Elseworlds fan, but this was fantastically written with a great plot and lots of mystery. And Batman saves the world. Twice. what could be better?
The art wasn't as fabulous as the story, but it was decent. There were too many lines on all the faces, and Bruce Wayne didn't really look like I thought he should. He and Clark Kent looked very, very similar. It wasn't bad, per say, just not really my cup if tea.
You should most definitely read this.
Friday, December 4, 2009
Five Projects for DC Entertainment...
As you can tell, I am a fan of lists.
Justice League: When Worlds Collide Yes, I realize that the DCAU (DC Animated Universe for all you non-cartoonies) is pretty much defunct in favor of the Direct-to-DVD comic adaptations nowadays--which are still good, but not the same--but I have been watitng for this since they announced it. Supposedly it was going to bridge from Justice League Adventures to Justice League Unlimited, and have the Crime Syndicate as the villains. Also, this was going to be the story where Wonder Woman got her invisible jet (supposedly. So far limited information has been released, since there's a "slight chance" it might happen).
Another JLA/Batman cartoon Following from that first one, this is something else I would love to see. And not any of that "The Batman Strikes" crap with the halfway-to-manga animation. Iwould like a nice, in-continuity, Kevin-Conroy-as-Batman, Bruce-Timm-style cartoon. Got all that, DC?
A Fan Board This is something that I feel has been missing for a long time in the whole of the comic industry. The point of DCE is to increase sales of these characters, right? So give the fans a way to communicate what would be cool to see. And not just fans, the masses. Look at the appeal of the Dark Knight. Most of those people weren't comic fans. Giving the people a forum to give ideas for new project might bring in a new fan base. I'm not saying creators should bend to mass-market wishes, but they might get some new ideas and be able to test things out on people.
More actual Book-Books. Not that long ago, there was a line of actual novels about the DCU that was really quite good. There was also a line of Batman ones. This would get more writers out there, and more material. And I'm not talking about some movie-to-novel thing, but new stories. I really wish they would bring these back.
Batman: Hush Adaptation. Ohhh yeahhh. Fan girl wonderland.
Justice League: When Worlds Collide Yes, I realize that the DCAU (DC Animated Universe for all you non-cartoonies) is pretty much defunct in favor of the Direct-to-DVD comic adaptations nowadays--which are still good, but not the same--but I have been watitng for this since they announced it. Supposedly it was going to bridge from Justice League Adventures to Justice League Unlimited, and have the Crime Syndicate as the villains. Also, this was going to be the story where Wonder Woman got her invisible jet (supposedly. So far limited information has been released, since there's a "slight chance" it might happen).
Another JLA/Batman cartoon Following from that first one, this is something else I would love to see. And not any of that "The Batman Strikes" crap with the halfway-to-manga animation. Iwould like a nice, in-continuity, Kevin-Conroy-as-Batman, Bruce-Timm-style cartoon. Got all that, DC?
A Fan Board This is something that I feel has been missing for a long time in the whole of the comic industry. The point of DCE is to increase sales of these characters, right? So give the fans a way to communicate what would be cool to see. And not just fans, the masses. Look at the appeal of the Dark Knight. Most of those people weren't comic fans. Giving the people a forum to give ideas for new project might bring in a new fan base. I'm not saying creators should bend to mass-market wishes, but they might get some new ideas and be able to test things out on people.
More actual Book-Books. Not that long ago, there was a line of actual novels about the DCU that was really quite good. There was also a line of Batman ones. This would get more writers out there, and more material. And I'm not talking about some movie-to-novel thing, but new stories. I really wish they would bring these back.
Batman: Hush Adaptation. Ohhh yeahhh. Fan girl wonderland.
Monday, November 30, 2009
The Renaissance of the DCU
Several things have happened in the past month that impact the new things coming out of DC. One of these is a new divison called DC Entertainment, basically to make new DC products and promote the DCU. Also, DC has announced some upcoming projects, including a series of short animated films, a Nightwing project of some sort, and a Jonah Hex movie.
I am thrilled.
I think that DC is finally taking things other than comics seriously. Sure, they had the (fabulous) series of cartoon shows, but then there was "The Batman Strikes" which I think we all can agree was a disgrace. But there's been very little other things to draw in non-comic readers, whereas Marvel has always pumped out as much stuff as they can (sometimes at the expense of quality).
For Batman fans, I don't think these new projects mean much. Most of the point, I think, is to promote lesser known superheroes (I mean, come on. Jonah Hex?). But this will probably become, if succesful, a much larger enterprise. Personally, I am hoping for another Bruce Timm-ruin cartoon series (Batman: The Animated series part II, anyone?)
I am thrilled.
I think that DC is finally taking things other than comics seriously. Sure, they had the (fabulous) series of cartoon shows, but then there was "The Batman Strikes" which I think we all can agree was a disgrace. But there's been very little other things to draw in non-comic readers, whereas Marvel has always pumped out as much stuff as they can (sometimes at the expense of quality).
For Batman fans, I don't think these new projects mean much. Most of the point, I think, is to promote lesser known superheroes (I mean, come on. Jonah Hex?). But this will probably become, if succesful, a much larger enterprise. Personally, I am hoping for another Bruce Timm-ruin cartoon series (Batman: The Animated series part II, anyone?)
Sunday, November 22, 2009
Is Batman a Superhero?
In case you haven't heard, Batman: Arkham Asylum won a Guinness World Record for "Most Hyped Superhero Game" (the validity of this is in question--personally I think it's a little too much of a marketing ploy). But there's also a large outcry because apparently a large segment of the population doesn't consider Batman a superhero.
I think this is unfair. Sure, he doesn't have any "super powers" in the strictest sense. But aren't Olympic athletes considered extraordinary and of higher ability than 98% percent of the population? And also, the sheer amount of willpower and lack of self-preservation have to count for something.
Sure, he isn't bulletproof. But Bruce (since he's in the Arkham video game, I'm using him in the discussion) could walk into a room full of the most powerful beings in the known universe and stop all conversation by clearing his throat. Superman can't say that. For all his sixty different kinds of vision, he doesn't command that kind of attention.
That's what makes a superhero.
I think this is unfair. Sure, he doesn't have any "super powers" in the strictest sense. But aren't Olympic athletes considered extraordinary and of higher ability than 98% percent of the population? And also, the sheer amount of willpower and lack of self-preservation have to count for something.
Sure, he isn't bulletproof. But Bruce (since he's in the Arkham video game, I'm using him in the discussion) could walk into a room full of the most powerful beings in the known universe and stop all conversation by clearing his throat. Superman can't say that. For all his sixty different kinds of vision, he doesn't command that kind of attention.
That's what makes a superhero.
Thursday, November 19, 2009
More Podcast Info...
We will be back to our regularly scheduled programming soon, but here is an expansion of the podcast idea.
Sample Program:
1.Introduction music/title sequence (1-1.5 minutes)
2. News, notes, etc. (3-5 minutes)
3. Feature: probably a minute-by-minute audio commentary on an animated episode/movie etc, a multiple person discussion, or interview if I ever get that popular. (10-30 minutes, a movie commentary would be spread out over multiple podcasts)
4. Other/feedback (5-10 minutes)
5. Closing (less than 1 minute)
All in all, it would be about 20-50 minutes. My goal is to have this not be something that I could do just as well on the blog.
Sample Program:
1.Introduction music/title sequence (1-1.5 minutes)
2. News, notes, etc. (3-5 minutes)
3. Feature: probably a minute-by-minute audio commentary on an animated episode/movie etc, a multiple person discussion, or interview if I ever get that popular. (10-30 minutes, a movie commentary would be spread out over multiple podcasts)
4. Other/feedback (5-10 minutes)
5. Closing (less than 1 minute)
All in all, it would be about 20-50 minutes. My goal is to have this not be something that I could do just as well on the blog.
Tuesday, November 17, 2009
Podcast?
Hello, everyone.
This is just a quick post introducing the new poll WHICH EVERYONE MUST VOTE ON OR BE BANISHED TO THE CRIME SYNDICATE'S EARTH!!
Just kidding. Maybe.
Anyhow, if there was a Batman World Blog podcast, would you listen to it? I've been toying with the idea of setting one up (yes, I would probably try to get it on iTunes).
As always, comments are open.
This is just a quick post introducing the new poll WHICH EVERYONE MUST VOTE ON OR BE BANISHED TO THE CRIME SYNDICATE'S EARTH!!
Just kidding. Maybe.
Anyhow, if there was a Batman World Blog podcast, would you listen to it? I've been toying with the idea of setting one up (yes, I would probably try to get it on iTunes).
As always, comments are open.
Sunday, November 15, 2009
Batman: Haunted Gotham (Graphic Novel)
Batman: Haunted Gotham
By Doug Moench
Art by Kelley Jones
Rating: 3/10
In this tale, Gotham is mystically enclosed by an invisible barrier. Imps, magic and demons are real. The Waynes have trained their son, Bruce, to be fight against the hell-forces that are going to destroy the city. They die when he is an adult, and he dons the Batman costume to fight the dark magic. (It's really alien giant serpents.)
This was just too dang weird for me. There was little resemblance to the original characters except for the names and a sketchy history. The Waynes actually became ghosts, and then Bruce killed them to keep them from the demons, who would eat their souls.
The Joker was a patchwork Frankenstein with the head of Thomas Wayne. And there were giant-magic-human-eating serpents from outer space who transformed a lonely boy into what was supposedly Killer Croc, I guess. Need I say more?
Skip this. Just do not subject yourself to it.
*Deep breath*
I have two better notes for today:
First, I would like to thank DYlogger for writing about this blog on the Time Wasters blog (www.timewasters2009.blogspot.com It is cool). It's great to hear that people enjoy this blog. Frankly, I just started it because I got sick of being called a nerd (I am a geek, thank you very much).
Also, you should read The Umbrella Academy if you haven't already. It isn't Batman related or even in the DCU, but it is one of the best series I have read. Ever. And the covers are absolutely beautiful.
By Doug Moench
Art by Kelley Jones
Rating: 3/10
In this tale, Gotham is mystically enclosed by an invisible barrier. Imps, magic and demons are real. The Waynes have trained their son, Bruce, to be fight against the hell-forces that are going to destroy the city. They die when he is an adult, and he dons the Batman costume to fight the dark magic. (It's really alien giant serpents.)
This was just too dang weird for me. There was little resemblance to the original characters except for the names and a sketchy history. The Waynes actually became ghosts, and then Bruce killed them to keep them from the demons, who would eat their souls.
The Joker was a patchwork Frankenstein with the head of Thomas Wayne. And there were giant-magic-human-eating serpents from outer space who transformed a lonely boy into what was supposedly Killer Croc, I guess. Need I say more?
Skip this. Just do not subject yourself to it.
*Deep breath*
I have two better notes for today:
First, I would like to thank DYlogger for writing about this blog on the Time Wasters blog (www.timewasters2009.blogspot.com It is cool). It's great to hear that people enjoy this blog. Frankly, I just started it because I got sick of being called a nerd (I am a geek, thank you very much).
Also, you should read The Umbrella Academy if you haven't already. It isn't Batman related or even in the DCU, but it is one of the best series I have read. Ever. And the covers are absolutely beautiful.
Sunday, November 1, 2009
Underused Characters
With all the sudden emphasis on the Joker this past year (and therefore the exclusion of other worthy villains), I have created a list of the ten most underused Bat-Universe characters.
THE LIST
10. Warlock's Daughter--Darla Aquista, killed in the events of War Games, was resurrected as a magical being by . She has since joined the Shadowpact, but Gotham could use some mystical mayhem for the new Batman to deal with.
9. Fright--The once-lab assistant of Jonathan Crane, she betrayed him and gained the abilities to exhale neurotoxins, enhanced acrobatics, and other abilities. She was only seen once (2005), but would be a worthy villain, and one that has not been written to death.
8. Nocturna has made a few appearances lately, in the Green Arrow/Black Canary wedding issue, and the Gotham Gazette one-shots, although those were only cameos. This is one villain who could rival the Batboys in their love of the shadows.
7. Plastic Man--optimally, this tram-up would happen after Bruce returns. This may just be me (and I realize he isn't really a Bat character) but I love those two together. Also, Plas hasn't been seen in the DCU in quite a while.
6. Mad Hatter--he would be interesting to see in Red Robin, after this whole Ras Al Ghul business is over (where is this series headed, anyway?).
5. Henri Ducard-- This actually applies to all of Bruce's mentors. I would love to see a miniseries covering those 10+ years he spent overseas.
4. Nite-Wing--a sociopath, and enemy of Nightwing, I would love to see Tad team up with Jason Todd and fight Batman.
3. Ragman--now that most of Gotham's vigilantes are overseas, AWOL, or dead, the new Batman needs some allies. Ragman has been gone for a while. Is it time for a return?
2. Chancer--a villain with the power of extreme luck, Chancer was only seen once, but he nearly bested the Batman.
1. Commissoner Gordon--It's not that we haven't sen him, but when have we actually gotten any good stuff about our dear cop? With the end of Gotham Central and the miniseries GCPD, it's been awhile since we've had a really good story about Gotham's blue boys. And right now, what comics really need is just a good story--none of this earth-shattering stuff.
THE LIST
10. Warlock's Daughter--Darla Aquista, killed in the events of War Games, was resurrected as a magical being by . She has since joined the Shadowpact, but Gotham could use some mystical mayhem for the new Batman to deal with.
9. Fright--The once-lab assistant of Jonathan Crane, she betrayed him and gained the abilities to exhale neurotoxins, enhanced acrobatics, and other abilities. She was only seen once (2005), but would be a worthy villain, and one that has not been written to death.
8. Nocturna has made a few appearances lately, in the Green Arrow/Black Canary wedding issue, and the Gotham Gazette one-shots, although those were only cameos. This is one villain who could rival the Batboys in their love of the shadows.
7. Plastic Man--optimally, this tram-up would happen after Bruce returns. This may just be me (and I realize he isn't really a Bat character) but I love those two together. Also, Plas hasn't been seen in the DCU in quite a while.
6. Mad Hatter--he would be interesting to see in Red Robin, after this whole Ras Al Ghul business is over (where is this series headed, anyway?).
5. Henri Ducard-- This actually applies to all of Bruce's mentors. I would love to see a miniseries covering those 10+ years he spent overseas.
4. Nite-Wing--a sociopath, and enemy of Nightwing, I would love to see Tad team up with Jason Todd and fight Batman.
3. Ragman--now that most of Gotham's vigilantes are overseas, AWOL, or dead, the new Batman needs some allies. Ragman has been gone for a while. Is it time for a return?
2. Chancer--a villain with the power of extreme luck, Chancer was only seen once, but he nearly bested the Batman.
1. Commissoner Gordon--It's not that we haven't sen him, but when have we actually gotten any good stuff about our dear cop? With the end of Gotham Central and the miniseries GCPD, it's been awhile since we've had a really good story about Gotham's blue boys. And right now, what comics really need is just a good story--none of this earth-shattering stuff.
Sunday, October 18, 2009
Where in the World is Cassandra Cain?
I really love the new Batgirl series. I like how it's a fresher look on the character. I do feel, however, that the one-panel explanation for why Cassandra isn't the one under the mask doesn't do the character justice.
The problem for me is that Cassandra says that she was fighting for Batman. They've spent all this time building up the fact that she wanted to be Bruce's successor, and now that he's dead she suddenly decides that it isn't what she wants at all. I can understand if she's just in shock (which might be interesting if they have her come back and try to take Batgirl over again), but it was just too abrupt.
And where did she go?
The problem for me is that Cassandra says that she was fighting for Batman. They've spent all this time building up the fact that she wanted to be Bruce's successor, and now that he's dead she suddenly decides that it isn't what she wants at all. I can understand if she's just in shock (which might be interesting if they have her come back and try to take Batgirl over again), but it was just too abrupt.
And where did she go?
Saturday, October 10, 2009
Fanfiction!
Confession: I am a comic fanfic junkie. It is possibly the most underestimated of writing, but I love it and therefore I'm devoting this post to the best fanfic I've found.
Authors:
The-Lady-Isis writes possibly the best Batman/Wonder Woman fanfiction I have found. It is genuinely very good, and coming from someone skeptical of the whole BMWW thing, that means a lot.
Two fantastic authors of Batman-Superman friendship fics are KCS (who writes excellent under-300 word ficlets), Paxwolf (only three stories so far--Shift and Downshift are my favorites).
Dunyazade also writes fabulous Batman-Superman fanfiction (can you tell I have a thing for that?). But she also has some really good Dick grayson-centric fics. However, I would avoid the M-rated one. It will warp your mind.
Best Stories:
Staring and Screaming: Batman's worst nightmare, brought to life by Doctor Destiny
Knightfall: no correlation to the comic-book "Knightfall", but this is definetely a must-read. It almost made me cry.
Understand: very good. A conversation between Batman and Flash.
Homestead: Its' supposed to be Superman-centric, but the part on Batman is just awesome.
Kansas Roads, World Domination, and YOU!: It's just funny.
Read, and I'm sure all of these authors would appreciate a review.
Authors:
The-Lady-Isis writes possibly the best Batman/Wonder Woman fanfiction I have found. It is genuinely very good, and coming from someone skeptical of the whole BMWW thing, that means a lot.
Two fantastic authors of Batman-Superman friendship fics are KCS (who writes excellent under-300 word ficlets), Paxwolf (only three stories so far--Shift and Downshift are my favorites).
Dunyazade also writes fabulous Batman-Superman fanfiction (can you tell I have a thing for that?). But she also has some really good Dick grayson-centric fics. However, I would avoid the M-rated one. It will warp your mind.
Best Stories:
Staring and Screaming: Batman's worst nightmare, brought to life by Doctor Destiny
Knightfall: no correlation to the comic-book "Knightfall", but this is definetely a must-read. It almost made me cry.
Understand: very good. A conversation between Batman and Flash.
Homestead: Its' supposed to be Superman-centric, but the part on Batman is just awesome.
Kansas Roads, World Domination, and YOU!: It's just funny.
Read, and I'm sure all of these authors would appreciate a review.
Saturday, September 19, 2009
New Poll!
That old poll was getting a little stale, so here's a new one to vote on. What's your favorite Batman graphic novel? Up there I put a mixture of my personal favorites, and ones I know are pretty famous.
If you pick "other" (way too many to choose from, I know), comment below and tell us what it is!
If you pick "other" (way too many to choose from, I know), comment below and tell us what it is!
Batman: As the Crow Flies Review
Batman: As the Crow Flies (trade paperback, c. 2004)
By Judd Winick
Art by Dustin Nguyen
Rating: ......
This isn't a very well known storyline, probably because it had the misfortune of coming out at around the same time as gems like Batman: Hush and War Games.
"Crow" opens with a mobster who has apparently gone insane. Batman takes him down, but soon other mob hitmen go postal as well. Batman believes it is the work of the Penguin, but Oswald denies any wrongdoing. He has actually hired Scarecrow to scare his 'employees' into submission. He has provided him with a lab, and an assistant, the albino Linda Friitawa.
Then a monster begins attacking the families. It looks like a version of Scarecrow, but Crane claims he knows nothing. Batman tries to control the creature, but he gets a dose of modified fear toxin and Robin has to rescue him. The creature follows the duo back to Wayne manner. batman defeats it with the help of a mechanized suit, and the monster devolves into Crane. It turns out Penguin hired Linda to infect Scarecrow so Penguin could get rid of the Gotham families. Linda is now able to see sunlight, and also exhales nerve toxin, plus an assortment of other abilities. she tells Batman to call her "Fright" right before disappearing.
Rating:
As you may notice there is no rating on this graphic novel. Honestly, its because I couldn't decide. On one hand, (and I've said this before) I really like the way Winick handles the interaction between the batfamily, their internal motivations, and dialogue. He really portrays the characters well.
On the other hand: mechanized batsuit? Honestly? If it works that well, then why didn't Bruce just wear it all the time and be done with it? That's the reaction I have to a lot of the plot in Winick's stories. It's just a backdrop for the character interactions. And quite frankly, there's almost no plot here.
I almost wish DC would let this writer just do some comics with all the characters talking. There are some very, very well done moments in this story. I love the character of Linda, and I wish some writer had picked her up after Winick's storyline ended.
And the chapter with Batman high on fear toxin in the batmobile while Alfred and Robin try to get through to him? Priceless. The way Winick portrays Scarecrow? The best I've seen so far.
Sucky plot, yes, but fantastic characters.
I guess it depends on what you read the batbooks for.
By Judd Winick
Art by Dustin Nguyen
Rating: ......
This isn't a very well known storyline, probably because it had the misfortune of coming out at around the same time as gems like Batman: Hush and War Games.
"Crow" opens with a mobster who has apparently gone insane. Batman takes him down, but soon other mob hitmen go postal as well. Batman believes it is the work of the Penguin, but Oswald denies any wrongdoing. He has actually hired Scarecrow to scare his 'employees' into submission. He has provided him with a lab, and an assistant, the albino Linda Friitawa.
Then a monster begins attacking the families. It looks like a version of Scarecrow, but Crane claims he knows nothing. Batman tries to control the creature, but he gets a dose of modified fear toxin and Robin has to rescue him. The creature follows the duo back to Wayne manner. batman defeats it with the help of a mechanized suit, and the monster devolves into Crane. It turns out Penguin hired Linda to infect Scarecrow so Penguin could get rid of the Gotham families. Linda is now able to see sunlight, and also exhales nerve toxin, plus an assortment of other abilities. she tells Batman to call her "Fright" right before disappearing.
Rating:
As you may notice there is no rating on this graphic novel. Honestly, its because I couldn't decide. On one hand, (and I've said this before) I really like the way Winick handles the interaction between the batfamily, their internal motivations, and dialogue. He really portrays the characters well.
On the other hand: mechanized batsuit? Honestly? If it works that well, then why didn't Bruce just wear it all the time and be done with it? That's the reaction I have to a lot of the plot in Winick's stories. It's just a backdrop for the character interactions. And quite frankly, there's almost no plot here.
I almost wish DC would let this writer just do some comics with all the characters talking. There are some very, very well done moments in this story. I love the character of Linda, and I wish some writer had picked her up after Winick's storyline ended.
And the chapter with Batman high on fear toxin in the batmobile while Alfred and Robin try to get through to him? Priceless. The way Winick portrays Scarecrow? The best I've seen so far.
Sucky plot, yes, but fantastic characters.
I guess it depends on what you read the batbooks for.
Tuesday, September 1, 2009
Hello Mickey, Meet Peter Parker
Disney just bought Marvel Comics for 4 billion dollars.
If you're wondering why I'm talking about Marvel on a Batman blog, it is because I am jumping up and down with glee. Marvel is now seriously handicapped.
Think about it. DC was bought by Time Warner in '69. Try to name one character/person you associate with the company other than Superman or Batman in thirty seconds.
Now try to do the same with Disney.
Disney already has Mickey Mouse, Donald, Toy Story, Wall-E, and Monsters Inc. Meanwhile, Time Warner does movies, sure, and a stupid cartoon about mice, but the big things are Batman: the Animated Series, the Justice League cartoons, and the Nolan movies.
Time Warner's big thing is DC. That is their main cash cow. But when Disney says "should we make another Cars movie, or Hulk?" the answer will be Cars, because that's where all the little kids beg parents to spend their money. Also, have talking automobiles ever come under fire for being too violent/sexified/generally unagreeable? No.
The comic book market won't change--the two companies will still be deadlocked there. Comic readers don't change that much, and Disney will definitely keep publishing them. But as for other media--movies, cartoons, merchandise--DC will get an edge, because Disney's immense marketing power won't be focused on creating an X-Men cartoon.
It'll be focused on the talking mouse.
(P.S. Please rate this blog in the upper right hand corner. It only takes a second. Promise.)
If you're wondering why I'm talking about Marvel on a Batman blog, it is because I am jumping up and down with glee. Marvel is now seriously handicapped.
Think about it. DC was bought by Time Warner in '69. Try to name one character/person you associate with the company other than Superman or Batman in thirty seconds.
Now try to do the same with Disney.
Disney already has Mickey Mouse, Donald, Toy Story, Wall-E, and Monsters Inc. Meanwhile, Time Warner does movies, sure, and a stupid cartoon about mice, but the big things are Batman: the Animated Series, the Justice League cartoons, and the Nolan movies.
Time Warner's big thing is DC. That is their main cash cow. But when Disney says "should we make another Cars movie, or Hulk?" the answer will be Cars, because that's where all the little kids beg parents to spend their money. Also, have talking automobiles ever come under fire for being too violent/sexified/generally unagreeable? No.
The comic book market won't change--the two companies will still be deadlocked there. Comic readers don't change that much, and Disney will definitely keep publishing them. But as for other media--movies, cartoons, merchandise--DC will get an edge, because Disney's immense marketing power won't be focused on creating an X-Men cartoon.
It'll be focused on the talking mouse.
(P.S. Please rate this blog in the upper right hand corner. It only takes a second. Promise.)
Wednesday, August 26, 2009
Funniest Dang Thing Ever
The title is self explanatory. "Batman and Sons" is a fan-created webcomic that just happens to be hilarious.
http://batmanandsons.blogspot.com/
Read and enjoy (if you click on the comics they get bigger).
http://batmanandsons.blogspot.com/
Read and enjoy (if you click on the comics they get bigger).
Quick Reviews
Short reviews of the six comics I bought this week, all semi-Batman related.
JLA: Cry for Justice. #1, #2
Rating: 7.5/10
It's always nice to see Hal Jordan and Green Arrow together. They're just funny. Supposedly Batwoman (yippee) is showing up later.
Gotham City Sirens #2
Rating: 8/10
Definitely not what I was expecting, but better. Selina's a good liar, and the Talia connection is interesting. I wish there was more in this issue, though. But Hush kidnapping Harley? Great.
Batgirl #1
Rating: 9.5/10
Yes! Stephanie Brown takes her rightful role as a member of the Batfamily. They packed a lot into this issue, and it totally works. The only thing I didn't like is that Barbra Gordon's thought boxes are green. I never thought of her having a defined color, but green?
Titans #16
Rating: 6.5/10
This is where the "Starfire kissing Batman" picture came from, but unfortunately it was a dream. I don't think Starfire will be around much longer.
Streets of Gotham #3
Rating: 8/10
Tommy Elliot is a good villain. I'll give him that. A very though-provoking issue. He's got Dick and Damian stuck. ("A nice middle finger at the Wayne legacy" great line) There's a cool shot of a bunch of heroes in the Elliot manor.
JLA: Cry for Justice. #1, #2
Rating: 7.5/10
It's always nice to see Hal Jordan and Green Arrow together. They're just funny. Supposedly Batwoman (yippee) is showing up later.
Gotham City Sirens #2
Rating: 8/10
Definitely not what I was expecting, but better. Selina's a good liar, and the Talia connection is interesting. I wish there was more in this issue, though. But Hush kidnapping Harley? Great.
Batgirl #1
Rating: 9.5/10
Yes! Stephanie Brown takes her rightful role as a member of the Batfamily. They packed a lot into this issue, and it totally works. The only thing I didn't like is that Barbra Gordon's thought boxes are green. I never thought of her having a defined color, but green?
Titans #16
Rating: 6.5/10
This is where the "Starfire kissing Batman" picture came from, but unfortunately it was a dream. I don't think Starfire will be around much longer.
Streets of Gotham #3
Rating: 8/10
Tommy Elliot is a good villain. I'll give him that. A very though-provoking issue. He's got Dick and Damian stuck. ("A nice middle finger at the Wayne legacy" great line) There's a cool shot of a bunch of heroes in the Elliot manor.
Friday, August 21, 2009
Thursday, August 20, 2009
Boxes Vs. Bubbles
Maybe I'm the only one insane enough to notice this, but thought bubbles have died out, and have been replaced by boxes. I think it happened sometime early-80's, when the comics industry was trying to get away from the 60's silly-ness. Should they have?
1. Adds immediacy
2. Easy to tell who's talking
Cons
1. can overload the panel
2. yeah, they are kinda silly looking
3. you don't always want to know every thought.
4. Sometimes what they say is obvious (The Joker!)
Thought Boxes
Pros
1. Doesn't overwhelm page
2. Cleaner looking
3. Easier to tell backstory
4.Multiple characters can be talking in the same panel if the colors are different.
Cons
1. You have to tell who's talking by the color of the box
2. sometimes you don't notice them
3. sometimes what they say is obvious (The Joker!)
Bubbles: 0
Boxes: 1
Thought Bubbles
Pros 1. Adds immediacy
2. Easy to tell who's talking
Cons
1. can overload the panel
2. yeah, they are kinda silly looking
3. you don't always want to know every thought.
4. Sometimes what they say is obvious (The Joker!)
Thought Boxes
Pros
1. Doesn't overwhelm page
2. Cleaner looking
3. Easier to tell backstory
4.Multiple characters can be talking in the same panel if the colors are different.
Cons
1. You have to tell who's talking by the color of the box
2. sometimes you don't notice them
3. sometimes what they say is obvious (The Joker!)
Bubbles: 0
Boxes: 1
Wednesday, August 19, 2009
Geekblips Verification
Disregard this post.
Geekblips site (http://geekblips.dailyradar.com/) has added this blog to it's site, so now I'm verifying it.
Code: 9617993143
Geekblips site (http://geekblips.dailyradar.com/) has added this blog to it's site, so now I'm verifying it.
Code: 9617993143
Saturday, August 15, 2009
Blackest Night: Batman #1
Blackest Night: Batman #1
By Peter Tomasi
Art by Arion Syaf, John Dell, and Vicente Cifuentes
Rating: a surprising 8/10
For those who aren't reading the "Blackest Night" arc, here's a brief summary:
The Green Lantern Abin Sur (Hal Jordan's predeccesor) told of a prophecy called Blackest Night where other colors of rings would emerge, do battle, and the universe would be extinguished. No one believed him, and now those other rings are beginning to be found. The colors are:
Green=Willpower
Yellow=Fear
Red=Rage
Orange=Avarice
Blue=Hope
Indigo=Compassion
Violet=Love
Black=Death
A villain called the Black Hand is chosen to be the herald of the black power rings. These rings are created and they seek out deceased superheroes, supervillians, and the heroes' dead family (including Jack and Janet Drake) to resurrected as the Black Corps. Black Hand goes to Bruce Wayne's grave, reaches into the ground, and pulls out a skull, saying "This is the one." He carries it with him, but never resurrects the body.
These black lanterns combat and kill superheroes (including Hawkman and Tempest) resurrecting them as more corps.
Dick Grayson and Damian Wayne go to the Wayne's grave site. They take Thomas and Martha's bodies back to the new batcave for safekeeping. This is where Blackest Night: Batman picks up.
Deadman comes and takes possession of both Dick and Damian, telling them of what is happening. They agree to help him combat it. We also see Jake and Janet Drake rise, as well as Dick's parents.
All in all, this was way better than I was expecting. It had perhaps the best post-RIP Damian writing I'd read. Major Kudos to Tomasi for that. It was a lot of explanation and story-setting-up, but that's why its 8/10 and not 9/10. I hope that next issue, when they finally start the fighting.
The other thing that I liked a lit about this story was that it brought the Batman world together with my second favorite character(s), Green Lantern. And it is done very well.
The art on this story is pretty good. Not Jim Lee, but solid. There's one scene where Deadman (in Damian's body) does this backflip onto a headstone that is illustrated very well, and its definitely in the top three panels of this issue.
By Peter Tomasi
Art by Arion Syaf, John Dell, and Vicente Cifuentes
Rating: a surprising 8/10
For those who aren't reading the "Blackest Night" arc, here's a brief summary:
The Green Lantern Abin Sur (Hal Jordan's predeccesor) told of a prophecy called Blackest Night where other colors of rings would emerge, do battle, and the universe would be extinguished. No one believed him, and now those other rings are beginning to be found. The colors are:
Green=Willpower
Yellow=Fear
Red=Rage
Orange=Avarice
Blue=Hope
Indigo=Compassion
Violet=Love
Black=Death
A villain called the Black Hand is chosen to be the herald of the black power rings. These rings are created and they seek out deceased superheroes, supervillians, and the heroes' dead family (including Jack and Janet Drake) to resurrected as the Black Corps. Black Hand goes to Bruce Wayne's grave, reaches into the ground, and pulls out a skull, saying "This is the one." He carries it with him, but never resurrects the body.
These black lanterns combat and kill superheroes (including Hawkman and Tempest) resurrecting them as more corps.
Dick Grayson and Damian Wayne go to the Wayne's grave site. They take Thomas and Martha's bodies back to the new batcave for safekeeping. This is where Blackest Night: Batman picks up.
Deadman comes and takes possession of both Dick and Damian, telling them of what is happening. They agree to help him combat it. We also see Jake and Janet Drake rise, as well as Dick's parents.
All in all, this was way better than I was expecting. It had perhaps the best post-RIP Damian writing I'd read. Major Kudos to Tomasi for that. It was a lot of explanation and story-setting-up, but that's why its 8/10 and not 9/10. I hope that next issue, when they finally start the fighting.
The other thing that I liked a lit about this story was that it brought the Batman world together with my second favorite character(s), Green Lantern. And it is done very well.
The art on this story is pretty good. Not Jim Lee, but solid. There's one scene where Deadman (in Damian's body) does this backflip onto a headstone that is illustrated very well, and its definitely in the top three panels of this issue.
Thursday, August 13, 2009
JLA/JLU Batman Episodes
Injustice for All (2 pt, JLA):
The basic plot is that Lex Luthor starts an Injustice Gang and The JLA takes him down. Batman is featured in this episode.
--Rating: 7.5/10
--Although this is a Batman centric episode (and therefore rocks), he comes off almost weak-looking in comparison to everyone else. First he's poisoned, then the Joker manages to sneak up on him, hit him with a bag of bricks, and capture him. In episode 2, he redeems himself by making it seem like he planned it all. There's a fabulous scene where he manipulates Cheetah into alerting the JLA that there's a bomb on the Watchtower.
Twilight (2 pt, JLA)
Plot: Darksied comes to the Watchtower asking for help because Brainiac is attacking Apokolips. It's of course a ploy, and the JLA has to take down both villians.
--Rating: 9/10
--Featured in this episode is how Batman and Superman interact and it came off perfectly.There's a scene where Batman reads Superman the riot act about not wanting to help Darkseid, and its wonderful. Also, the last ten minutes of the storyline are all almost exclusively Superman/Batman. The only downside to this is an overdone fight scene between three members of the JLA and Brainiac.
This Little Piggy (1 pt, JLU)
Plot: Wonder Woman (who Batman is in a romantic relationship with) is turned into a pig by Circe and Batman has to get her turned back.
--Rating: 5.5/10
--WONDER WOMAN?! No...just no. I didn't like it when they did it in the comics, I don't like it here. The basic story is pretty good, but Batman comes off very out of character. And (spolier alert here) he SINGS. "Am I Blue", to be exact. In front of a room full of people.
A Better World (2 pt, JLA)
Plot: In parallel universe, the JLA took over the world, convinced they could wipe out injustice and in the process became dictators. That universe's Batman built a portal to see another dimensions, and found the regular universe. They captured the real heroes and imprisoned them in the other world so they could bring "justice" to this one.
--Rating: 9.5/10
--Wow. This was just a great episode. Superman kills Luthor (AU Superman), Batman talks to Batman (fabulous scene, that one), and the Justice League explores Arkham Asylum. To tell more would spoil the plot. You must see this episode, even if you never watch another.
For The Man Who Has Everything (1 pt, JLU)
Plot: Batman and Wonder Woman go to the Fortress of Solitude for Superman's birthday, and end up battling Mongul.
--Rating: 8/10
--This is a really good episode, just for the fact that it shows Batman can hold his own against these superpowered menaces. It spends a little too long in Superman's fantasy world (brought on by the Black Mercy), but I guess I feel that way because I'm not a Superman fan. There's also some nice dialouge between Batman and Wonder Woman at the beginning.
The basic plot is that Lex Luthor starts an Injustice Gang and The JLA takes him down. Batman is featured in this episode.
--Rating: 7.5/10
--Although this is a Batman centric episode (and therefore rocks), he comes off almost weak-looking in comparison to everyone else. First he's poisoned, then the Joker manages to sneak up on him, hit him with a bag of bricks, and capture him. In episode 2, he redeems himself by making it seem like he planned it all. There's a fabulous scene where he manipulates Cheetah into alerting the JLA that there's a bomb on the Watchtower.
Twilight (2 pt, JLA)
Plot: Darksied comes to the Watchtower asking for help because Brainiac is attacking Apokolips. It's of course a ploy, and the JLA has to take down both villians.
--Rating: 9/10
--Featured in this episode is how Batman and Superman interact and it came off perfectly.There's a scene where Batman reads Superman the riot act about not wanting to help Darkseid, and its wonderful. Also, the last ten minutes of the storyline are all almost exclusively Superman/Batman. The only downside to this is an overdone fight scene between three members of the JLA and Brainiac.
This Little Piggy (1 pt, JLU)
Plot: Wonder Woman (who Batman is in a romantic relationship with) is turned into a pig by Circe and Batman has to get her turned back.
--Rating: 5.5/10
--WONDER WOMAN?! No...just no. I didn't like it when they did it in the comics, I don't like it here. The basic story is pretty good, but Batman comes off very out of character. And (spolier alert here) he SINGS. "Am I Blue", to be exact. In front of a room full of people.
A Better World (2 pt, JLA)
Plot: In parallel universe, the JLA took over the world, convinced they could wipe out injustice and in the process became dictators. That universe's Batman built a portal to see another dimensions, and found the regular universe. They captured the real heroes and imprisoned them in the other world so they could bring "justice" to this one.
--Rating: 9.5/10
--Wow. This was just a great episode. Superman kills Luthor (AU Superman), Batman talks to Batman (fabulous scene, that one), and the Justice League explores Arkham Asylum. To tell more would spoil the plot. You must see this episode, even if you never watch another.
For The Man Who Has Everything (1 pt, JLU)
Plot: Batman and Wonder Woman go to the Fortress of Solitude for Superman's birthday, and end up battling Mongul.
--Rating: 8/10
--This is a really good episode, just for the fact that it shows Batman can hold his own against these superpowered menaces. It spends a little too long in Superman's fantasy world (brought on by the Black Mercy), but I guess I feel that way because I'm not a Superman fan. There's also some nice dialouge between Batman and Wonder Woman at the beginning.
Friday, August 7, 2009
A Quick Note
This blog is the second listing when you google and ask-dot-com-search the phrase "batman world blog" minus the quotations. I think its because I mentioned the SDCC, Superman/Batman, and www.thebatmanuniverse.net (which you should still go to and listen to, its awesome) all in the same post. That's the post the popped up, anyhow.
Back to our regularly scheduled programming.
Back to our regularly scheduled programming.
Five Worst Bat-Characters, and then Jason
Before I start this post, I would like to tell anyone who lives under a rock that John Hughes is dead at age 58. He wrote some of the best movies ever, notably Ferris Bueller's Day Off, which is tied for Awesomest Movie (with The Dark Knight). Rest in peace, John.
Now then, for a not so peaceful topic: the five worst Bat-characters.
#5--Bat-mite. Why? No one can seem to write him well. He was meant to be sort of the bumbling, trying-to-be-helpful type (that right there annoys me), but has morphed into a Mr. Mxyzptlk wannabe. He only exists to be an metaphysical pest, popping up now and then to screw around when the writers don;t know where to go next. He's a useless character really, recently resurrected by our dear Mr. Morrison, and better left forgotten.
#4--Bruce Wayne, Playboy Edition. Yes, he counts as a separate character. I really wish we would see less of Playboy Bruce slipping out of parties after seeing the bat-signal through a conveniently placed window. Honestly, how many times have we seen that? Does every single comic need to include it? I'd rather have a page of mediocre dialogue between Alfred and Damian than one of Bruce making yet another bad excuse about working late. Plus, he's just so shallow.
#3--Black Glove--sorry, Grant, but I'm picking on you again. I liked the idea for RIP, I really did, but I couldn't stand the villain. For one, he wasn't really explained ever. And two, it was just too nicely done. How many times have people tried to destroy Bruce's sanity? Too many to count. so this guy just jumps in and succeeds? no. No way. Plus, when we finally see The Black Glove, he's no one interesting, just another incoherent cackling maniac.
#2--Damian Wayne. As if he even deserves to be called (or even truly has the name of) Wayne. This spoiled little brat needs a good spanking and an even better writer. So far, he's so one-sided it makes me gag. The only thing he can do is smart off and try to best Alfred. He's another character who's just there to give the other's something to talk about. I really believe he has potential, though, if only someone would come along and show that there's actually a little boy beneath that cliched, faux-badass routine.
And finally...
#1--Batwoman I hate her. I'm sorry, but I do. I had high hopes for the character when she first appeared, but unfortunately she's become just another highly-mocked parody of a person. Come on, DC, people actually have lives beyond their choice of dates. Do you really need to reiterate the fact that she's a lesbian every. other. Freakin. PANEL? Does she exist beyond that fact, or does she just go into some sort of stasis chamber whenever she isn't making out or wearing the costume? I have a sneaking suspicion that they put Kate into the comics just to say "Look! Look! We're diverse!" And there isn't anything worse than diversity for diversity's sake. It just makes it a bad joke.
Now then, to the obvious question: Why not Jason Todd?
Okay, I'm only going to say this once.
I LIKE JASON TODD.
He's just different. And, when written right, is a wild card. Both good and bad or either or none at all. He plays outside the moral code that gives a hint of predictability to the rest of the Batman family. I truly, truly believe that, if given the chance, he could be one of the greatest characters. Especially so if he isn't quite so angst, and becomes sort of an on-and-off character who may help you and may hurt you. Plus, now I really want to know what his secret is (see Battle for the Cowl #3 if you don't know what I'm talking about).
Next Up:
I'm thinking maybe a review of some of the Batman-centric Justice League Adventures and Justice League Unlimited episodes. That was a JLA cartoon on in the late nineties to early 2ooo's. It was an awesome series and had some really adult (not un-kid-friendly, but just grown-up and complex) storylines. Sometimes they portrayed Batman extremely well, sometimes they missed the mark. I think I'll do five episodes to start out. If you haven't seen the series, you need to get it from the library, a friend, where ever. I even like it better (the Batman episodes, at least) then Batman: The Animated Series, though it's not as well-known.
Now then, for a not so peaceful topic: the five worst Bat-characters.
#5--Bat-mite. Why? No one can seem to write him well. He was meant to be sort of the bumbling, trying-to-be-helpful type (that right there annoys me), but has morphed into a Mr. Mxyzptlk wannabe. He only exists to be an metaphysical pest, popping up now and then to screw around when the writers don;t know where to go next. He's a useless character really, recently resurrected by our dear Mr. Morrison, and better left forgotten.
#4--Bruce Wayne, Playboy Edition. Yes, he counts as a separate character. I really wish we would see less of Playboy Bruce slipping out of parties after seeing the bat-signal through a conveniently placed window. Honestly, how many times have we seen that? Does every single comic need to include it? I'd rather have a page of mediocre dialogue between Alfred and Damian than one of Bruce making yet another bad excuse about working late. Plus, he's just so shallow.
#3--Black Glove--sorry, Grant, but I'm picking on you again. I liked the idea for RIP, I really did, but I couldn't stand the villain. For one, he wasn't really explained ever. And two, it was just too nicely done. How many times have people tried to destroy Bruce's sanity? Too many to count. so this guy just jumps in and succeeds? no. No way. Plus, when we finally see The Black Glove, he's no one interesting, just another incoherent cackling maniac.
#2--Damian Wayne. As if he even deserves to be called (or even truly has the name of) Wayne. This spoiled little brat needs a good spanking and an even better writer. So far, he's so one-sided it makes me gag. The only thing he can do is smart off and try to best Alfred. He's another character who's just there to give the other's something to talk about. I really believe he has potential, though, if only someone would come along and show that there's actually a little boy beneath that cliched, faux-badass routine.
And finally...
#1--Batwoman I hate her. I'm sorry, but I do. I had high hopes for the character when she first appeared, but unfortunately she's become just another highly-mocked parody of a person. Come on, DC, people actually have lives beyond their choice of dates. Do you really need to reiterate the fact that she's a lesbian every. other. Freakin. PANEL? Does she exist beyond that fact, or does she just go into some sort of stasis chamber whenever she isn't making out or wearing the costume? I have a sneaking suspicion that they put Kate into the comics just to say "Look! Look! We're diverse!" And there isn't anything worse than diversity for diversity's sake. It just makes it a bad joke.
Now then, to the obvious question: Why not Jason Todd?
Okay, I'm only going to say this once.
I LIKE JASON TODD.
He's just different. And, when written right, is a wild card. Both good and bad or either or none at all. He plays outside the moral code that gives a hint of predictability to the rest of the Batman family. I truly, truly believe that, if given the chance, he could be one of the greatest characters. Especially so if he isn't quite so angst, and becomes sort of an on-and-off character who may help you and may hurt you. Plus, now I really want to know what his secret is (see Battle for the Cowl #3 if you don't know what I'm talking about).
Next Up:
I'm thinking maybe a review of some of the Batman-centric Justice League Adventures and Justice League Unlimited episodes. That was a JLA cartoon on in the late nineties to early 2ooo's. It was an awesome series and had some really adult (not un-kid-friendly, but just grown-up and complex) storylines. Sometimes they portrayed Batman extremely well, sometimes they missed the mark. I think I'll do five episodes to start out. If you haven't seen the series, you need to get it from the library, a friend, where ever. I even like it better (the Batman episodes, at least) then Batman: The Animated Series, though it's not as well-known.
Monday, July 27, 2009
SDCC Coverage, Batman Style
Hello, all!
I am, unfortunately, not going to the San Diego ComiCon (due to lack of funds and time). But you can get great SDCC coverage, plus interviews at http://www.thebatmanuniverse.net/
Here's a list of the people they're interviewing and the projects those people will be talking about:
Jim Lee-DC Universe Online
Marv Wolfman-DC Universe Online
Development Team-DC Universe Online
Kevin Conroy-Superman/Batman: Public Enemies, Batman: Arkham Asylum
Clancy Brown-Superman/Batman: Public Enemies
Tim Daly- Superman/Batman: Public Enemies
Bruce Timm- Superman/Batman: Public Enemies
Andrea Romano- Superman/Batman: Public Enemies, Batman: The Brave and the Bold
Sam Liu- Superman/Batman: Public Enemies
Michael Goguen- Superman/Batman: Public Enemies
Stan Berkowitz- Superman/Batman: Public Enemies
Mark Hamill-Batman: Arkham Asylum
Paul Dini-Batman: Arkham Asylum
Sefton Hill-Batman: Arkham Asylum
Diedrich Bader- Batman: The Brave and the Bold
John DiMaggio- Batman: The Brave and the Bold
James Tucker- Batman: The Brave and the Bold
Michael Jelenic- Batman: The Brave and the Bold
There are some pretty big names up there. I'm most excited for The Superman/Batman:Public Enemies team. That sounds like its going to be a great video. I really liked the comics version. Plus, Kevin Conroy is doing the voice of Batman. How much better can you get?
I highly encourage you to subscribe to TBU's free podcasts (they have a general Batman one, a Bat-comics one, and a specials one where they do interviews/commentaries/etc. All are very good). Recently they did an interview with Adam Beechen (you know, the guy who made Cassandra Cain a villian?) that was excellent. It shed a lot of light on the series and Adam had some great insights.
I am, unfortunately, not going to the San Diego ComiCon (due to lack of funds and time). But you can get great SDCC coverage, plus interviews at http://www.thebatmanuniverse.net/
Here's a list of the people they're interviewing and the projects those people will be talking about:
Jim Lee-DC Universe Online
Marv Wolfman-DC Universe Online
Development Team-DC Universe Online
Kevin Conroy-Superman/Batman: Public Enemies, Batman: Arkham Asylum
Clancy Brown-Superman/Batman: Public Enemies
Tim Daly- Superman/Batman: Public Enemies
Bruce Timm- Superman/Batman: Public Enemies
Andrea Romano- Superman/Batman: Public Enemies, Batman: The Brave and the Bold
Sam Liu- Superman/Batman: Public Enemies
Michael Goguen- Superman/Batman: Public Enemies
Stan Berkowitz- Superman/Batman: Public Enemies
Mark Hamill-Batman: Arkham Asylum
Paul Dini-Batman: Arkham Asylum
Sefton Hill-Batman: Arkham Asylum
Diedrich Bader- Batman: The Brave and the Bold
John DiMaggio- Batman: The Brave and the Bold
James Tucker- Batman: The Brave and the Bold
Michael Jelenic- Batman: The Brave and the Bold
There are some pretty big names up there. I'm most excited for The Superman/Batman:Public Enemies team. That sounds like its going to be a great video. I really liked the comics version. Plus, Kevin Conroy is doing the voice of Batman. How much better can you get?
I highly encourage you to subscribe to TBU's free podcasts (they have a general Batman one, a Bat-comics one, and a specials one where they do interviews/commentaries/etc. All are very good). Recently they did an interview with Adam Beechen (you know, the guy who made Cassandra Cain a villian?) that was excellent. It shed a lot of light on the series and Adam had some great insights.
Tuesday, July 21, 2009
Anatomy of a Terrific Comic Writer
Batfans have had a deluge of mediocre comics recently, from the insane RIP, to the godawful "All-Star Batman and Robin." We need a really, really good writer to come in.
Checklist of An Awesome Batman Writer:
-has read all the Bat comics from the past two years, and all the major storylines (Knightfall, War, the murder of Vesper Fairchild, Hush, The Last Laugh, Killing Joke, No Man's Land, Year One, etc). This includes JLA and Superman/Batman.
-grew up reading comics
-has seen the movies
-has no great need to "leave their mark", except for in the quality of their stories
-doesn't feel an urgency to reinvent, reimagine, or reconstruct the characters, but is able to have them evolve
-has at least a passing familarity with the toonverse Batman and other dimensional versions of Batman
-wants most of all to produce something that will make fans (not editors, not marketing boards) cheer/cry/write letters of praise.
-occasionally peruses and listens to comic forums and message boards, but is strong enough to follow their vision.
-has read at least two Batman fanfics
-identifys themself as a geek.
-has had the fantasy at least once of being Batman/Batgirl/Robin.
-won't do something completely insane just for the sake of being different.
And finally:
-knows the value of a good Batman story.
Checklist of An Awesome Batman Writer:
-has read all the Bat comics from the past two years, and all the major storylines (Knightfall, War, the murder of Vesper Fairchild, Hush, The Last Laugh, Killing Joke, No Man's Land, Year One, etc). This includes JLA and Superman/Batman.
-grew up reading comics
-has seen the movies
-has no great need to "leave their mark", except for in the quality of their stories
-doesn't feel an urgency to reinvent, reimagine, or reconstruct the characters, but is able to have them evolve
-has at least a passing familarity with the toonverse Batman and other dimensional versions of Batman
-wants most of all to produce something that will make fans (not editors, not marketing boards) cheer/cry/write letters of praise.
-occasionally peruses and listens to comic forums and message boards, but is strong enough to follow their vision.
-has read at least two Batman fanfics
-identifys themself as a geek.
-has had the fantasy at least once of being Batman/Batgirl/Robin.
-won't do something completely insane just for the sake of being different.
And finally:
-knows the value of a good Batman story.
Friday, July 17, 2009
Detective Comics #854
Detective Comics #854
By Greg Rucka
Art by J.H. Williams III
Overall: 6.5/10
For the first time in at least forty years, Detective comics features someone other than The Dark Knight--Batwoman.
We don't know much about Kate Kane. The major story line she was involved in was about a bizarre religion of crime. She was kidnapped by this cult, who attempted to sacrifice her because of her name, Kane, like Cain. Kate was stabbed through the heart, only to to be saved by Renee Montoya, aka The Question. This storyline picks up where that one left off, with Kate trying to discover the identity of the religion of crime's new leader.
The book opens with Kate interrogating a low-level criminal. Batman appears (Dick Grayson, we assume) and they have a few pages of conversation about how their are such-and-such number of crime covens, how this is a serious fight, etc. Kate, in the morning, goes to have breakfast with her girlfriend, Anna. Anna, believing that Kate's sleep-deprived appearance stems from Kate cheating on her, says that she needs a stable relationship and this isn't it.
Kate returns to her home, where she talks with her father about her mission. Then she enters her own miniature batcave, and receives from her father an experimental military gun, saying she knows "exactly who to use it on". She sets off on her batcycle to track down the religion's new leader. When she finds a coven of the religion's followers, she attacks them, demanding the leader's identity. Suddenly, a pale girl flanked by almost zombie-like guards appears. She calls herself Alice, and says "I can't explain myself, I'm afraid, because I'm not myself, you see." She is obviously the new leader. The comic ends with Batwoman pointing the gun she received at Alice.
Well, this is certainly one of the more different storylines this month. It has a lot of potential, but this first issue feels like mostly filler, and contrived, trying-too-hard scenes between Kate and the people she cares about. The character of Anna especially seems out of place. She only appears for three pages, long enough to break up with Kate and leave.
The whole conversation with her father as well just doesn't sit right. She goes from talking about the Batman to working out and being reminded of her injury to the batcave in a whirlwind of dialogue. The book really picks up with the entrance of Alice (the most interesting character in this whole book), but unfortunately it is three pages from the end.
The other problem is the art. When Kate has the costume on, it's done in a noir, almost painting style (ala Alex Ross). When she's Kate, it's a very comic style, except for one panel that looks like it's done in water colors. It's very disconcerting. You can't just read the comic, you have to constantly readjust to the art. And I don't know whose idea it was to have Kate look like a goth teen in the "breakfast with Anna" scenes, but its there.
There is a Question second feature (maybe I'm mistaken but weren't Renee and Kate into each other at the end of 52?) which is about ten time better than the cover story. If your a big Renee Montoya fan, I'd pick up the book for that, but otherwise this is one to skip.
By Greg Rucka
Art by J.H. Williams III
Overall: 6.5/10
For the first time in at least forty years, Detective comics features someone other than The Dark Knight--Batwoman.
We don't know much about Kate Kane. The major story line she was involved in was about a bizarre religion of crime. She was kidnapped by this cult, who attempted to sacrifice her because of her name, Kane, like Cain. Kate was stabbed through the heart, only to to be saved by Renee Montoya, aka The Question. This storyline picks up where that one left off, with Kate trying to discover the identity of the religion of crime's new leader.
The book opens with Kate interrogating a low-level criminal. Batman appears (Dick Grayson, we assume) and they have a few pages of conversation about how their are such-and-such number of crime covens, how this is a serious fight, etc. Kate, in the morning, goes to have breakfast with her girlfriend, Anna. Anna, believing that Kate's sleep-deprived appearance stems from Kate cheating on her, says that she needs a stable relationship and this isn't it.
Kate returns to her home, where she talks with her father about her mission. Then she enters her own miniature batcave, and receives from her father an experimental military gun, saying she knows "exactly who to use it on". She sets off on her batcycle to track down the religion's new leader. When she finds a coven of the religion's followers, she attacks them, demanding the leader's identity. Suddenly, a pale girl flanked by almost zombie-like guards appears. She calls herself Alice, and says "I can't explain myself, I'm afraid, because I'm not myself, you see." She is obviously the new leader. The comic ends with Batwoman pointing the gun she received at Alice.
Well, this is certainly one of the more different storylines this month. It has a lot of potential, but this first issue feels like mostly filler, and contrived, trying-too-hard scenes between Kate and the people she cares about. The character of Anna especially seems out of place. She only appears for three pages, long enough to break up with Kate and leave.
The whole conversation with her father as well just doesn't sit right. She goes from talking about the Batman to working out and being reminded of her injury to the batcave in a whirlwind of dialogue. The book really picks up with the entrance of Alice (the most interesting character in this whole book), but unfortunately it is three pages from the end.
The other problem is the art. When Kate has the costume on, it's done in a noir, almost painting style (ala Alex Ross). When she's Kate, it's a very comic style, except for one panel that looks like it's done in water colors. It's very disconcerting. You can't just read the comic, you have to constantly readjust to the art. And I don't know whose idea it was to have Kate look like a goth teen in the "breakfast with Anna" scenes, but its there.
There is a Question second feature (maybe I'm mistaken but weren't Renee and Kate into each other at the end of 52?) which is about ten time better than the cover story. If your a big Renee Montoya fan, I'd pick up the book for that, but otherwise this is one to skip.
Tuesday, July 14, 2009
Batman #687
Batman #687
By Judd Winick
Art by Ed Benes
Overall: 9.5/10
The one thing that Bruce Wayne could never fully give was humanity. There were a few touching moments, true, but he cared little for emotion. This made him a legend. This gave him the power to walk into a room full of superpowered beings and have all conversation stop. It also alienated him from everyone he cared about, even after the Crisis and his year of soul-searching.
Dick Grayson is a new kind of Batman. He doesn't manipulate people like Bruce did, and he's much more human. This gives the potential for so many new stories, and real, thoughtful interaction in the batfamily without all the infighting and trust issues Bruce caused. Don't get me wrong--I loved Bruce Wayne. But I'm looking forward to the possibilities.
In many ways, Batman #687 defines this change. It begins with Dick taking down a group of thugs from inside the Batmobile--he still isn't comfortable wearing Bruce's costume. Then there's a visit from Superman and Wonder Woman, a talk with Alfred (more on this later), and moving into the new headquarters (more on this, too).
The Superman and Wonder Woman scenes were executed beautifully. They handed over Bruce's costume, talked a little about what Bruce had had planned for the event of his death, and left. Mostly, their brief appearance served to open up the discussion about what will happen, now that Bruce is dead, and Dick's reaction to his surrogate father's death, something we didn't get to see in Battle for the cowl. Ultimately, Dick decides not to let the JLA run the funeral, but instead to let Bruce go quietly, without the parade, like he wanted, and to let the legend of the Batman live on.
The talk between Alfred and Dick is near perfect. There's one bit that encompasses, I think, everything that Bruce's family is dealing with from his death:
DICK: "You prepare yourself for this day...well, prepare is the wrong word. Do you prepare yourself for the sun to rise, for water to flow from a tap? No. These are knowables. These are eventualities. I knew I would never see him as an old man. No, he'd leave us in a box, with jet black hair, and the only lines on his face would be ones brought by injury.
You knew it wouldn't end well. Despite all the training, all the brilliance, all the strength...under it all there was just flesh, blood, and bone. And a man who never feared death. You know as well as do he was frightened of a great many things, but his own mortality barely made the top hundred list with him. I just....
....I just wasn't ready to lose him."
ALFRED: "I know. I know. I wasn't "ready" either."
^That is spectacular.
On the subject of moving headquarters, however, the narrative falters. I want to make it clear that I blame the editor and not the writer, though. This scene appeared in Batman and Robin #1, which came out a week earlier, and the two scenes are very, very similar, though I like #687's rendition a little better. It just doesn't sit well. There's no need to have this explained twice.
The art: Frankly, its just okay. Ed Benes is pretty good, but he's no Jim Lee. No one has a chin as pointy as the one Dick sported in the funeral scenes. In the early robbery panels there are too many fire spurts and crashes to really get a full idea of what is going on. But Benes' style is clean, and coherent. Mid line.
This is one you definitely must get.
By Judd Winick
Art by Ed Benes
Overall: 9.5/10
The one thing that Bruce Wayne could never fully give was humanity. There were a few touching moments, true, but he cared little for emotion. This made him a legend. This gave him the power to walk into a room full of superpowered beings and have all conversation stop. It also alienated him from everyone he cared about, even after the Crisis and his year of soul-searching.
Dick Grayson is a new kind of Batman. He doesn't manipulate people like Bruce did, and he's much more human. This gives the potential for so many new stories, and real, thoughtful interaction in the batfamily without all the infighting and trust issues Bruce caused. Don't get me wrong--I loved Bruce Wayne. But I'm looking forward to the possibilities.
In many ways, Batman #687 defines this change. It begins with Dick taking down a group of thugs from inside the Batmobile--he still isn't comfortable wearing Bruce's costume. Then there's a visit from Superman and Wonder Woman, a talk with Alfred (more on this later), and moving into the new headquarters (more on this, too).
The Superman and Wonder Woman scenes were executed beautifully. They handed over Bruce's costume, talked a little about what Bruce had had planned for the event of his death, and left. Mostly, their brief appearance served to open up the discussion about what will happen, now that Bruce is dead, and Dick's reaction to his surrogate father's death, something we didn't get to see in Battle for the cowl. Ultimately, Dick decides not to let the JLA run the funeral, but instead to let Bruce go quietly, without the parade, like he wanted, and to let the legend of the Batman live on.
The talk between Alfred and Dick is near perfect. There's one bit that encompasses, I think, everything that Bruce's family is dealing with from his death:
DICK: "You prepare yourself for this day...well, prepare is the wrong word. Do you prepare yourself for the sun to rise, for water to flow from a tap? No. These are knowables. These are eventualities. I knew I would never see him as an old man. No, he'd leave us in a box, with jet black hair, and the only lines on his face would be ones brought by injury.
You knew it wouldn't end well. Despite all the training, all the brilliance, all the strength...under it all there was just flesh, blood, and bone. And a man who never feared death. You know as well as do he was frightened of a great many things, but his own mortality barely made the top hundred list with him. I just....
....I just wasn't ready to lose him."
ALFRED: "I know. I know. I wasn't "ready" either."
^That is spectacular.
On the subject of moving headquarters, however, the narrative falters. I want to make it clear that I blame the editor and not the writer, though. This scene appeared in Batman and Robin #1, which came out a week earlier, and the two scenes are very, very similar, though I like #687's rendition a little better. It just doesn't sit well. There's no need to have this explained twice.
The art: Frankly, its just okay. Ed Benes is pretty good, but he's no Jim Lee. No one has a chin as pointy as the one Dick sported in the funeral scenes. In the early robbery panels there are too many fire spurts and crashes to really get a full idea of what is going on. But Benes' style is clean, and coherent. Mid line.
This is one you definitely must get.
Monday, July 13, 2009
Who Is Batgirl?
The one real mystery to come from "Battle for the Cowl" is Batgirl's identity. I mean come on, we all knew Dick was going to take up the mantel of the Bat, and that Tim was going to become Red Robin. Batgirl is the only secret DC has truly succeeded in keeping.
As for who could be under the mask, there are four contenders:
Cassandra Cain: Okay, so they've basically said that it won't be her. But I think that she's still in the running. This wouldn't be the first time DC's done something like this and said "Gotcha!" after the whole comic industry had gotten worked up over it. Plus, Cass hasn't been Batgirl for that long. She still has a lot of stories to tell. It was only recently that she learned to speak, and the fact that Shiva is her mother came even later.
Barbra Gordon (Oracle): Don't be convinced by the "Oracle: The Cure" postings up all over the internet. Nothing in that miniseries stated that Barbra had regained the use of her legs, or even remotely considered taking up the Batgirl costume again. More than likely, she will be involved with the "Batgirl" series as a mentor to whoever is in the costume. She did it for Cassandra, and Misfit. She also may take on a protege, the newly-awakened Wendy. But Batgirl? She's beyond that now.
Charlotte "Charlie" Gage-Radcliffe (Misfit): A distant maybe, Charlie qualifies as a possibility because she was under Oracle's tutelage, and she also was a sort-of member of the Birds of Prey. In her first apperance, she dressed up in a variation of Barbra Gordon's Batgirl costume. There are a few things keeping her from the role, however. The first is her status as a wild card, both in personality, and in the fact that we haven't really seen enough of her. True, Cassandra showed up out of nowhere, but that's better than a girl who's made a few apperances, had a couple lines each time, and really hasn't settled in yet. Plus, she has superpowers, which sort of defeats the whole "anti-superpowered batfamily" thing. at this point, it would be much better for her to expand her own persona.
Stephanie Brown (Spoiler): Recently returned to Gotham, Stephanie is the perfect candidate to take up the mask. Most believe her dead, her current persona has a lot of baggage attached, like pretending to be Penguin's lackey in "Gotham Underground" and the fact that her identity was publicly revealed back in "War Crimes". Also, she's been trained by Batman, Cassandra, and Barbra, not to mention the fact that she was Robin for 71 days. With the mask of Batgirl she gets a fresh start, and that is, after all, why she came back.
The Batgirl identity has always been the one bat-name that Batman could never fully control ever since Barbra sewed the first constume herself, and fought crime unsanctioned. The new Batgilr will doubtlessly be a delicious surprise.
Sunday, July 12, 2009
Comic Review: Batman and Robin #1
Batman and Robin #1
By Grant Morrison
Art by Frank Quietly
Overall: 8/10
Thank god that we got the "All-Star Superman" Morrison on this book and not the one that wrote the incomprehensible "Batman RIP". Just for that fact, this comic rates high.
The basic summary is that Batman--Dick Grayson, in case you haven't heard--apprehends a frog-looking man who calls himself Mr. Toad. Mr. Toad is somehow connected to another villian by the name of Pigg. We see Pigg in another part of the city, toturing a mobster and his teen daughter. He is burning new faces onto their's--odd, clown-like faces. The storyline is called "Circus of Strange" so you can see where this is headed.
We also get a few pages of commentary between Alfred, Dick, and Damian (the new Robin). There are a few gems of dialouge in these sections, but nothing nearly as good as what's found in Batman #687. Mostly it consists of Dick feeling like he's in over his head while simultaneously trying to control Damian.
My opinion:
This was a good start to the series. I would have liked to see some more talk between the batfamily, and not just this stock "I am Batman now" "I must control the city" and Damian's usual bratty attitude, which fills most of the pages where Morrison could have taken the opportunity to show Dick truly grieving. As for Damian, it doesn't seem like he cares, save for a few panels where he says that he has vowed to finish what his father began.
The Circus of Strange seems, well, a little strange. I wonder if its some of the RIP Morrison showing through. This first issue doesn't say much about the plot to come, however, other than that there are drugs involved, as well as sadistic madmen. It is quite different from other plots, though, and that may be a good thing--or prove this book's demise.
All in all, I got the sense that the creative team was a little unsure of themselves in this first issue, reverting back to old standbys for the batfamily dynamics and trying a pinch too hard on the circus aspect. The art, however, was wonderful, and the page of "things to come" shows some promising bits.
By Grant Morrison
Art by Frank Quietly
Overall: 8/10
Thank god that we got the "All-Star Superman" Morrison on this book and not the one that wrote the incomprehensible "Batman RIP". Just for that fact, this comic rates high.
The basic summary is that Batman--Dick Grayson, in case you haven't heard--apprehends a frog-looking man who calls himself Mr. Toad. Mr. Toad is somehow connected to another villian by the name of Pigg. We see Pigg in another part of the city, toturing a mobster and his teen daughter. He is burning new faces onto their's--odd, clown-like faces. The storyline is called "Circus of Strange" so you can see where this is headed.
We also get a few pages of commentary between Alfred, Dick, and Damian (the new Robin). There are a few gems of dialouge in these sections, but nothing nearly as good as what's found in Batman #687. Mostly it consists of Dick feeling like he's in over his head while simultaneously trying to control Damian.
My opinion:
This was a good start to the series. I would have liked to see some more talk between the batfamily, and not just this stock "I am Batman now" "I must control the city" and Damian's usual bratty attitude, which fills most of the pages where Morrison could have taken the opportunity to show Dick truly grieving. As for Damian, it doesn't seem like he cares, save for a few panels where he says that he has vowed to finish what his father began.
The Circus of Strange seems, well, a little strange. I wonder if its some of the RIP Morrison showing through. This first issue doesn't say much about the plot to come, however, other than that there are drugs involved, as well as sadistic madmen. It is quite different from other plots, though, and that may be a good thing--or prove this book's demise.
All in all, I got the sense that the creative team was a little unsure of themselves in this first issue, reverting back to old standbys for the batfamily dynamics and trying a pinch too hard on the circus aspect. The art, however, was wonderful, and the page of "things to come" shows some promising bits.